Dear choir colleagues,

I have made some tracks (albeit in rather crude quality) to further assist and enhance your practice experience. I have panned the part-specific voice to the Left speaker and the rest & accompaniment to the other. I have also added the metronome ticker so you would be able to hear the main subdivision of every measure.

Eventually I would try to make tracks for every piece we are going to rehearse, so please check this page as often as you need. The files are in WMA (windows media audio player) format.

RS

errata, Missa canto; (??????,????????,?????????!)

Credo
47??alto?????E flat???D;
57??soprano??????????D???C;
69-71??Alto ? Soprano ??????????;
73??soprano??????????A???B flat;
86/88??soprano??????????B???A;
95??Bass??????????B flat???natural;

Sanctus
46?? Tenor/bass ??? DCABC ??? CCBBC;
47?? Tenor/bass ??? CBGAB ??? CBGAC;
54?? Tenor/bass ??? BAD ??? BGD;
66?? Soprano ??? EEEAAA ??? EEECCC;
71?? Tenor ??? AAA ??? GGA;
78?? Bass ???? in ex ???? CC ??? D;
92?? Bass ??? C ??? Bsharp;

Miserere
12?? Soprano ??? Csharp D Csharp Fsharp ??? Csharp D B Fsharp;
31?? Soprano/Alto ?????, ??? G Csharp ? B/G
33?? Tenor/Bass(??Tenor???) ??? GGGG ??? AAAA;
48?? Tenor ??? Csharp D Csharp B ??? Csharp D Csharp G;
51?? Tenor/Bass ?????????????????,???? Soprano/Alto??,?????,????????.
53?? Tenor ? Bflat ? 54?? ? Asharp ???,??????,???
67?? Alto solo ???? Bflat ??? Tenor ? A ???, ?????,??????????????,?????????.
78?? Alto ??? Fsharp D E Fsharp Fsharp ??? Fsharp Fsharp Fsharp Fsharp Fsharp;
83?? Alto ??, ??? (Je-)Fsharp/D (-su)D (e-)Fsharp/D;
84?? Alto ??, ??? (-lei)Fsharp/D (-son)D
90?? Alto ??? Bflat/D D/E E/G ??? Bflat/D D/F E/G;
97?? Alto/Tenor/Bass ? (-re) ???? Soprano ? (-stri) ?????

?? Rejoice in the lamb ???,??????;

Page 1-13

Page 21-40: There are many tempo change, ritardandos and rallentandos; they are rough (very rough) estimates and therefore please observe the conductor’s cues as closely as possible; also note the quick “rhyming” section’s speed is ALREADY lowered, about 83.33% (160/192) of written tempo. Its still rather quick and if indeed you have difficulty learning the parts perhaps I will give you extra tracks in half of this tempo.

Antiphon: the tempo again is my subjective approximation; as long as we observe the conductor’s cue we will be fine.

Ave verum is deceptively difficult to sing. I am sure there would be subtle changes that we must observe.

Psaume 136
its rather impressive sounding, even without any dynamic adjustments, hence I also have posted the balanced version without the metronome ticker:

  • Psaume 136, Balanced & un-metronomed version
    •